Description

Why this course works

Are you staring at a blank page? Do you have a story in but no way in?

You don’t need the “right” idea before you begin.

You need:

• A framework that helps formulate your thoughts.
• Focused exercises designed to mine your imagination for a theme, characters, and a conflict.
• An opening conflict that’s ready to pop.

The Problem isn’t the Blank Page – It’s the Pressure

Many writers freeze not because they lack ideas, but because they’re dragged down by:

• Perfectionism – the belief that the first draft should be brilliant
• Fear of getting it wrong – writing is a journey of discovery but ideas emerge incomplete. What intincts do you trust?
• Overthinking – trying to solve the whole play before committing a single word to the page.

Finding Starting Points guides you into an idea and takes you on a pressure-free journey of discovery. Your ideas don’t need to be perfect – they just need to exist.

Beat the blank page with practical exercises designed that get ideas out of your head and onto the page. Don’t worry about grammar, spelling, or getting it “right”. Getting it down is enough to start.

Write with a pen

You can absolutely use your computer for this module — but I recommend going old‑school. Grab a notebook and a pen that feels good in your hand. Keep everything you write as you go.

The aim is simple: write fast and don’t edit. Resist the urge to cross things out or tidy as you write. Let the mess happen. Let the words tumble out. Let yourself discover what you’re trying to say rather than control it.

This is about flow, not polish. The page will make sense later. For now, just get the thoughts down.

Suitable for playwrights, authors, and poets

While WriteForTheStage focuses on playwriting, writers from all disciplines have found this module invaluable for developing new ideas.

Whether you’re a playwright, poet, novelist, or somewhere in between, Finding Starting Points guides you through a sequence of practical exercises that draw ideas out of your imagination and onto the page — organically, instinctively, and without pressure.

How the Course Beats the Blank Page

Finding Starting Points gives you:

• Repeatable techniques that generate material instantly
• Short, focused exercises that challenge overwhelm
• Multiple entry routes – we explore theme, character, and conflict to build a construct of tension that’s ready to pop
• Exercises that unlock momentum in minutes
• A pressure-free framework of discovery

What You’ll Learn

You’ll get 30 days of access to Finding Starting Points, offering:

• Structured techniques that generate ideas fast — no waiting for inspiration; you get concrete methods that produce material on demand.
• Exercises that unlock characters, themes, and conflict — each task is designed to reveal something you didn’t know you were holding.
• A repeatable framework you can use for every new project — once you learn it, you can apply it again and again.
• Short, focused lessons that fit into real life — as long as you have an internet connection, you can complete a module anywhere.
• Momentum‑building tasks that get you writing within minutes — no overthinking, no pressure, just movement.
• Confidence through doing — the exercises bypass perfectionism and get you into the habit of writing without judgement.
• A 30‑day container that keeps you accountable without overwhelming you — enough time to explore, not enough time to drift.
• Tools you can use offline — pen‑and‑paper friendly exercises that help you disconnect from the pressure of the screen.
• A clear way into your next piece — by the end, you’ll have enough to start writing your play.

FAQs

Who is this course for?

Playwrights, authors, poets, and anyone who wants a practical way into their next piece. If you’re stuck, circling an idea, or struggling to begin, this course gives you clear starting points that get you writing fast.

Do I need a full idea before I start?

Not at all. The course is designed for writers who don’t have a clear idea yet. You’ll generate characters, themes, images, and conflicts as you go.

How long do I get access?

You get 30 days to work through the course at your own pace. Enough time to explore, not enough time to drift.

How long does it take to complete?

You can finish it in a weekend or spread it across the month. Each lesson is short, focused, and designed to fit around real life.

Is it suitable for beginners?

Absolutely. The exercises are simple, practical, and pressure‑free. No jargon, no gatekeeping — just clear steps that help you begin.

Does it help experienced playwrights?

Yes. It’s ideal for generating new material, breaking out of a rut, or finding a fresh way into your next project.

Do I need any special equipment?

Just an online device, notebook, and a pen you enjoy writing with. You can write the exercises on your computer if you prefer, but the exercises work beautifully on paper.

What if I’m not confident in my writing?

That’s exactly who this course is for. You don’t need confidence — you need momentum. The exercises help you write without judgement or pressure.

How much does it cost?

£25 for 30 days of access. Self‑paced. No deadlines. No pressure.

Ready to find your starting point?

Your story is waiting.

Give yourself 30 days of gentle structure, practical exercises, and creative momentum.

Take the first step.

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